Bill Henson
Bill Henson
Información de la Wikipedia
Bill Henson (b. 1955 in Melbourne) is an Australian photographic contemporary artist. Much of his art deals with the subject of adolescence.
Henson's artworks reflects his interest in the interval of teenagers and adults. The use of chiaroscuro is common throughout his works. His photos are highly painterly and are often presented in the style of diptychs, triptychs and other specific groupings.
Henson's works often meditate on the categories and relationships of male and female; youth and adulthood; day and night; light and dark; nature and civilisation. His photographs are often flattened and abstracted. The faces of the subjects are often blurred or partly shadowed and positioned not directly towards the audience.
Henson's art has been exhibited in many locations, including the Solomon R. Guggenheim Museum in New York, the Venice Biennale, the National Gallery of Victoria in Melbourne, Australia and the Bibliotheque Nationale in Paris.
In 2002, a collection of Henson's photography was published under the title Lux et Nox.
Henson presents “adolescents in their states of despair, intoxication and immature ribaldry”. He has said that these “moments of transition and metamorphoses are important in everyone’s lives” (Crawford, A 2003, ‘Bill Henson: Lux et Nox’, Art Monthly Australia, no.164, Oct).
Henson's intention is to use photography for creative expression. He states that he is not interested in a political or sociological agenda, although the viewer cannot help but relate his works to their own stance on these issues. Henson, however, is not intending his photographs to be authoritative evidence but rather to suggest endless possibilities and cause people to wonder.
Bill Henson's current practice involves holding one exhibition in Australia every two years, and up to three overseas exhibitions each year.
Henson's artworks reflects his interest in the interval of teenagers and adults. The use of chiaroscuro is common throughout his works. His photos are highly painterly and are often presented in the style of diptychs, triptychs and other specific groupings.
Henson's works often meditate on the categories and relationships of male and female; youth and adulthood; day and night; light and dark; nature and civilisation. His photographs are often flattened and abstracted. The faces of the subjects are often blurred or partly shadowed and positioned not directly towards the audience.
Henson's art has been exhibited in many locations, including the Solomon R. Guggenheim Museum in New York, the Venice Biennale, the National Gallery of Victoria in Melbourne, Australia and the Bibliotheque Nationale in Paris.
In 2002, a collection of Henson's photography was published under the title Lux et Nox.
Henson presents “adolescents in their states of despair, intoxication and immature ribaldry”. He has said that these “moments of transition and metamorphoses are important in everyone’s lives” (Crawford, A 2003, ‘Bill Henson: Lux et Nox’, Art Monthly Australia, no.164, Oct).
Henson's intention is to use photography for creative expression. He states that he is not interested in a political or sociological agenda, although the viewer cannot help but relate his works to their own stance on these issues. Henson, however, is not intending his photographs to be authoritative evidence but rather to suggest endless possibilities and cause people to wonder.
Bill Henson's current practice involves holding one exhibition in Australia every two years, and up to three overseas exhibitions each year.
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